By Léger – Rimbaud
By Delacroix – Aspasia, the milesian woman of the 5th century
By De la Tour, M. Q. – The french Enlightenment writer, historian and philosopher, François-Marie A. Voltaire
By Picasso – Portrait of Paul Éluard
By Della Bella – Galileo Galilei offers the spyglass to the Astronomy, Optics and Mathematics
By Opisso, Ricard – Oscar Wilde, with Yvette Guilbert and Toulouse-Lautrec at his right, seated at the Cafe de la Galette
By Marstrand, Wilhelm – The danish philosopher Kierkegaard seen in profile
By Wille, P. A. – The french revolutionary, Georges Jacques Danton
By Bree, M. I. Van – Napoleon I
By Bastien-Lepage – Joan of Arc
By Cranach, Lucas – Luther’s father
By Rivers, Larry – Study for George Washington crossing the Delaware
By De la Tour, M. Q. – The head of Madame de Pompadour
By Brancusi – James Joyce
By Cabanel, Alexandre – Louis IX king of France
By Pasternak, L. – The poet Rainer Maria Rilke near the Red Square and the Kremlin in the background
By De Chirico, Giorgio – Euripides, one of the three great tragedians
By De Musset, A. – George Sand at home
By De Herrera, Francisco, el Joven – Carlos II king of Castilla and Aragón with his mother Mariana of Austria
By Deineka Alexander- The poet Mayakovsky
By Alexander Pushkin – An sketch of Nikolai Gogol seen in profile
By Ilia Efimovich Repin – Lev Nikolayevich Tolstoy reading
By Bodinier, Guillaume – Portrait of Homer blind
By Helleu, P. – Marcel Proust in deathbed
sketchuniverse 
I loved the Rilke sketch, the Léger, and de la Tour, and Lautrec, otherwise . . . cosìcosì.
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That’s very fine detailing! What medium do you work with? Charcoal, crayons or acrylic colors?
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I like to work with crayons. As a unique pencil, I prefer the black one between these, because it has a bit of wax, and for me is not so quick as a graphite one. And sometimes I want to control that the speed to draw were not so quick and with a larger scale of tones. I prefer oil colours than acrylics, but these last are more practical. Charcoal is wonderful, I love so much but as a so raw stuff, only is suitable when someone has so clear what he wants to express. Thanks for your comment. Best wishes dear ❤
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You seem to experiment with quite many mediums. I aim to try out charcoal paintings now.
Not so much color paintings, although I love gazing at hues and shades of Nature
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This stuff is impressive because shows everything, how when it goes well or badly. It is a wild horse. Luck.
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Hmm, a wild horse waiting to be tamed by skilled hands.
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This is only a metaphor to describe benefits and disadvantage about charcoal drawings. Have a nice day.
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