Strahlefarbe Rot

🔴 HALLO! LANGE LEBE DAS ROT! CHEERS TO RED COLOUR!

Skizzenbuch/Blog

Leuchtend rote Rhododendronblüten – als Zeichnung welken sie nie.

Die Strahlefarbe Rot ist immer ein Highlight. Sie ist warm, sie ist aktiv, sie ist voller Kraft und stets ein Blickfang. Der Vorteil dieses leuchtenden Eyecatchers ist der Umstand, dass sie auf keinen Fall übersehen wird.
Sei es eine flammende Pfingstrosenblüte, eine edel changierende Murano-Vase, ein hinreißendes Kleid, das keinen Kerzenschein mehr braucht, ein schwedisches Sommerhäuschen im Garten oder ein paar pralle Kirschen auf weißem Teller.

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Inspiration Post – April 2020

🖤🤍🖤🤍🖤 SO TRUE SISTERS, THE DATE DOES NOT MATTER, WHEN THERE IS A STYLE BEAUTY DOES NOT EXPIRE

StyleDrift

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Paper Dolls

SO TRUE DEARS, PAPER IS NOT ONLY FOR SKETCHING OR DRAWING. (Don’t miss the translated video).

My OBT

Asya

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Voyages virtuels- Dessins quotidiens- Semaine 27

✈️ HI DEARS! DON’T YOU WANT A TRIP BESIDE AN ARTIST? HAVE YOU EVER A TOURIST FEELING?

Enviroart par Suzanne Bélair, IAF, AFC

Voici les dessins de la 27 e semaine de dessins quotidiens:

WOW La semaine dernière, j’ai passé le cap des 6 mois et je suis officiellement dans la seconde moitié de mon défi d’un an de dessins quotidiens. Cette semaine, j’aborde un nouveau thème «VOYAGE» tout en continuant avec les portraits numériques dans le but de compléter le défi 30Faces / 30Days.

Les voyages nous manquent à tous et avec la frontière fermée pendant un autre mois aux voyages non essentiels, nous devons probablement suspendre nos projets de voyage pour le moment. Pourquoi donc ne pas voyager à travers les livres et Internet alors que nous commençons à apprécier et à améliorer nos foyers?

Nous aimons tous nous immerger dans la vie et la culture d’un autre pays, en particulier, on apprécie rencontrer les gens, mais quand vous ne pouvez pas y aller en personne, les visites virtuelles sont bonnes…

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new painting } d’s message in her hand

🤚🏻📄✋🏻WELL SISTERS, THE MESSAGE IN HER HANDS IS THE QUESTION.

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D’s Message in Her Hand, acrylic on canvas, 2016

I just got back from London. There, I almost met a man. This man presented me with a beautiful face and an online personality so compatible with mine. And I filled in the rest to create a new muse for myself.

He has no idea how much he has inspired me to paint like a curious child again.

Listen to This Old House by Madrugada}

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two new paintings } silence of noise | the hardness (and softness) of sex

WELL DEARS, INNER SPACES SOMETIMES ARE LIKE A VISIT TO THE CORE OF AN ARTIST.

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The Hardness (and Softness) of Sex, 2019, acrylic on canvas, 110 x 100 cm

I created The Hardness (and Softness) of Sex a few weeks ago in an attempt to deconstruct (and possibly destruct) Eve. I wanted to experiment with unfamiliar shapes while further exploring my curiosity about colors and their relationship with each other. But also, it was a reaction to a book I had just finished: Resistance: My Life for Lebanon by Soha Bechara. I read the book in a day (short read but also gripping). I was both mortified and comforted by her resilience and strength to survive the harshest and cruelest of conditions. One particular scene that got to me was her placement in solitary confinement and the exercises she did to help herself cope with the loneliness, boredom and claustrophobia of her situation. How would I deal if I were in such a predicament? These…

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our history

🎻🧡 SO TRUE, SISTERS. A TENOR BLOGGER ALWAYS LOVE ANY SKETCHES ABOUT MUSICIANS LIKE THESE.

kestrelart

Folk singer Rhiannon Giddens brings together musical traditions from her mixed race heritage in the southern States of the USA (her parents married only 3 years after the unconstitutional ban was overturned), along with Gaelic and wider sources. She is a phenomenal and versatile performer with ballet and opera composing credits to her name and recently appointed the artistic director of the Silk Road ensemble founded by cellist Yo Yo Ma. She is also a music historian. She traces the history of the banjo from its African roots through the travelling bands of enslaved then indentured musicians in the eighteenth and nineteenth centuries, the appropriation of this genre into black-face minstrelsy continuing well into the twentieth century, and the general abandonment of this tainted culture by its originating people such that the banjo associates today with white folk music.

The preface to David Olosuga’s book Black and British describes…

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Front cover development

🌿👢🥀👢 WELL DEARS, ANY MOTIF CAN BE FINE FOR PRACTISE SKETCHING.

Illustrative blog

Initial drawings: will keep this post more visual showing the transition from initial ideas to final covers for bot zines

Further development:

Final covers:

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The Glitch Project

👘🧥🥻 HI LOVELIES! TODAY WE’VE GOT WONDERFUL TEXTILE EXPERIMENTS AND GENUINE GARMENTS.

Anusha Govindaraj

In this project, I have translated the visual appearance of a glitch through the use of textiles and trims. The intent is to stress the extent to which digital media is making all of us into dependent beings. Dependant on likes and followers to prove our self-worth. The glitch represents the blurred line that separates the real self and the virtual projection on online platforms; the glitch shows the media’s impact on individual identity that is slowly disintegrating. The translation of this image onto garments is a tangible indication that expresses the digital obsession being a part of us, merging together with the body. As the media is a temporary indulgence, so is the textile that covers the nakedness.

Here are a series of textile experiments supporting my idea which eventually is reformed into garments.

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new painting } fatima’s needles II

👐🏻 🎨 SO TRUE DARLINGS, I ‘M A TRUE FAN OF SISTER GHADAH WORKS.

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Fatima’s Needles II, 2018, acrylic on canvas, 100 x 149 cm

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