The european Romantic landscapers of 19th-century, considered that ‘Someone that sees nothing in himself, he should stop depicting the landscape that is in front of him, till he can feel the nature’.
Hi folks, today we have a funny quiz to guess. You only have to discover (not Wally… ha,ha…) where is the Tired Bearded.
I know… Too easy, doesn’t it?
I want to use that work as example to remind my own theory about the ‘AMBIVALENCES’. This double effect that makes us to read a smile 🙂 instead of a colon, a hyphen and a parenthesis, is also another current example that often appears on the our life’s feedbacks.
If you’re able to translate from spanish, I invite you to read six short paragraphs, about the ‘Ambivalences’ that I contribute when I was in the UAB (a university in Barcelona). Here is the link:
http://literariamentegrafologico.blogspot.com.es/2013/05/expresionismo-aleman-parentesco-entre.html?q=ambivalencias
THANKS FOR YOUR VISIT!
By Renoir, Pierre A. – A path near Saint Paul de Vence
By Hollar, Wenceslaus – A coastal landscape
By Nash, Paul – An Iron Age hill-fort in Winterborne Monkton
By Van Gogh – Field with sheaves
By Turner, J.M.W – People near a swiss lake
By Da Vinci – A mountain range
By Balthus – Unknown title
By Cézanne – A landscape with a church tower in the background
By Pissarro – Sunset
By Poussin – A grove
By Lorrain, Claude – Landscape in the Roman Campagna
By Hockney – The lonely road
sketchuniverse 